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Aman creates sanctuaries that provide guests and residents with the feeling they so desire – of solitude, of being away from it all, but yet a sense of belonging.

The world-renowned hospitality company recently announced its first standalone branded residences, overlooking Tokyo Tower within Mori Building’s visionary, 30-years-in the-making Toranomon-Azabudai development.

Claiming the top 11 floors of the magnificent Mori Tower – Japan’s tallest residential building – the residences offer their owners a sanctuary literally and figuratively at the pinnacle of city life.

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October 10, 2023

21_21 DESIGN SITE

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In 2003, Issey Miyake contributed an essay entitled “Let’s Create―Design Museum (Tsukuro- dezain myu-jiamu),” to the January 28th evening edition of the Asahi Shimbun newspaper.

The piece lamented Japan’s lack of a museum devoted to design generated a great deal of attention, and as an unexpected result, Miyake gained a number of backers and advocates interested in helping him realize his dream.

Four years later in 2007, thanks to their help 21_21 DESIGN SIGHT opened in the Garden of the Tokyo Midtown complex in Roppongi.

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In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity.

Since closing the Borderless digital art museum in Odaiba back in August of 2022, we’ve been patiently awaiting on update on the international art collective’s next plans.

Now, it’s confirmed that the exhibition will re-open in January 2024 in Central Tokyo’s Azabudai Hills.

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January 20, 2020

A Conversation with Keisuke Shoda

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The creative community in Tokyo is a diverse and dynamic force to be reckoned with on both a local and global scale.

As is the case with many professions in Japan, the discipline and raw pursuit of perfection in craft are ever-present, though one tends to find that there is little drudgery or conservative regard when it comes to creative expression.

In fact, long-held societal beliefs and popular perceptions of artistic beauty and form tend to inspire even more contrarian creative output. This is not an exclusively “Japanese” phenomenon, but registers at a higher volume here.

Case in point, Mr. Keisuke Shoda — a pop musician turned designer and art director (and now, rug maker), but also a cosmopolitan connector, instigator and deeply entrenched Tokyoite.
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January 1, 2020

MUSTARD HOTEL — SHIBUYA

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Truly effective design bridges the gap between needs and requirements.

In this case, the needs are neighborhood access, convenience and practicality. The requirements are thoughtful, understated design, fair pricing and cohesiveness in experience.

Simple yet striking, MUSTARD HOTEL delivers a pronounced “secret ingredient” to Shibuya and its newly adorned Shibuya Bridge complex, as well as parallel properties in Asakusa — 2.

 

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March 15, 2019

Liam Wong — TO:KY:OO

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Liam Wong‘s visions have earned him global attention from international news outlets, and legions of fans across social media, the videogame world, photographers and designers alike.

His first formal book project, TO:KY:OO, encompasses his three years as a photographer and ultimately the completion of his debut photo series.

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October 15, 2018

ginza graphic gallery

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The ginza graphic gallery (ggg) is a contemporary space that celebrates works of prominent graphic designers from Japan and abroad.

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